Sabtu, 19 Maret 2011

Sukuh temple site was first reported in the reign of the United Kingdom


Sukuh temple site was first reported in the reign of the United Kingdom in the land of Java in 1815 by Johnson, Resident of Surakarta. Johnson was then tasked by Thomas Stanford Raffles to collect data in order to write his book The History of Java. After the British government passed, in 1842, Van der Vlis, Dutch archaeologist, doing research. The first restoration was begun in 1928.

Sukuh temple gives the impression of a striking simplicity of the visitors. The impression gained from this temple is quite different to that obtained from the large temples in Central Java, the other is the Borobudur and Prambanan Temple. Sukuh temple building form tends to resemble the Mayan culture and heritage in Mexico or Peru's Inca heritage. This structure will also remind the visitors forms a pyramid in Egypt.

This impression of simplicity attracted famous Dutch archaeologist, WF Stutterheim, in 1930. He tried to explain by giving three arguments. First, the possibility sculptor Sukuh Temple is not a mason but a carpenter from the village and not from the palace. Both temples made with a little less haste so neat. Third, the political situation at that time with a near collapse of Majapahit, making it impossible to create a large and magnificent temple.

The visitors who enter the main door and entered the biggest gate will see a distinctive architectural form that is not arranged perpendicular but somewhat oblique, trapezoidal in shape with a roof on it.

Rocks in this temple somewhat reddish in color, because the stones used is the type of andesite.
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READ MORE - Sukuh temple site was first reported in the reign of the United Kingdom

Temple Plaosan Bugisan located in the Village


Temple Plaosan Bugisan located in the Village, District of Prambanan, Klaten Regency, approximately 1.5 km to the east of Sewu. This temple is an ancient building complex which is divided into two, namely complex Plaosan Lor (lor in Javanese means north) and South Plaosan temple complex (south in the Java language means south). Sculpture contained in Plaosan very smooth and detailed, similar to those found in the temple Borobudur Sewu, and Candi Sari.

Plaosan which is a Buddhist temple was built by experts predicted during the reign of Rakai Pikatan of the Hindu Kingdom of Mataram, which is at the beginning of the 9th century AD One of the experts who support that notion is De Casparis who hold to the content of Cri Kahulunan Inscription (842 AD). The inscription states that the temple was built by Queen Plaosan Lor Sri Kahulunan, with the support of her husband. According to De Casparis, Sri Kahulunan is Pramodhawardani title, the daughter of King Samarattungga from Wangsa dynasty. The Princess, who embraced Buddhism, was married to Rakai Pikatan from Wangsa Sanjaya, who embraced Hinduism.

Another opinion about Plaosan development is that the temple was built before the reign of Rakai Pikatan. According Anggraeni, who referred to Sri Kahulunan is the mother who ruled Garung Rakai Rakai Mataram before Pikatan. Rakai Pikatan reign too brief to be able to build a temple for Plaosan. Rakai Pikatan chapel built after the construction of the main temple.

In October 2003, at the complex near the temple complex ancillary temples in South Plaosan found an inscription which is estimated to come from the 9th century AD Inscription made of gold plate measuring 18.5 x 2.2 cm. contains inscription in Sanskrit written in ancient Javanese script. The contents of the inscription is still unknown, but according to Tjahjono Prasodjo, epigraphical assigned to read it, it reinforces the notion that inscriptions Plaosan built during the reign of Rakai Pikatan.

Plaosan Lor

Plaosan Lor is a vast complex of enshrinement. In front (west) complex there are two pairs Plaosan Lor Dwarapala statues facing each other, a pair is located at the north entrance and a pair at the entrance to the south. Each of these human-tall statue in a sitting position on the folded right leg with left leg bent in front of the body. His right hand holds a mace, while the left hand on left knee tertumpang.

In the court of the north there is a square stone terrace surrounded by rows of stone base. Allegedly stone terrace is a place laid offerings. It is said that on top of the terrace there was a wooden building, while on their respective pedestals there was a statue of Dhyani Buddha.

The terrace of similar but smaller in the south there are also complex Plaosan Lor. In the court of the northern complex Plaosan also there were 6 large stupa.

In the central complex Plaosan Lor there are two two-storey building which is the main temple. Both buildings are facing west and each surrounded by a stone fence.

Stone walls that enclose each of the main temple is surrounded by a chapel which originally numbered 174, consisting of 58 small temples berdenah base building and 116 square-shaped stupa. Seven temples lined up on each side of the north and south of every major temples, 19 temples lined the east or behind the two main temples, while 17 of the temple again lined up in front of the two main temples. Almost all the current chapel was in ruins.

In every corner of chapel row there is still a smaller temple that was surrounded by two rows of pedestals are also interspersed with a smaller temple on every corner.

On the west side of the stone fence that surrounds each of the main building there is a gate of the gate paduraksa, the roof is decorated with a row of small crown. Top of arch-shaped roof of a small square with a crown on it.

Each of the main temple building on their feet as high as about 60 cm without a corridor that surrounds the body. The stairs to the door is equipped with a ladder cheek dragon headdress on its base. Frame decorated with carved doors and floral tendrils. Above the doorway there headdress Kala without lower jaw.

Along the outer wall of the main body of the second temple was decorated by reliefs depicting men and women who were standing in a size that approaches the size of real human beings. Reliefs on temple walls in the south describe men, while in the temple in the north of portraying women.

The inside of the second main building is divided into six rooms, three rooms located at the bottom, while the three other rooms are located on the second. The floor board which limits both its current level is not there anymore, but still visible on the walls of the former place to install floor grooves.

In the living room there are 3 statues of Buddha sitting on top padadmasana row facing the door, but the Buddha statue in the middle has disappeared. On the wall in left and right of the room there is a niche that seems to put the lighting. Niche is flanked by reliefs Kuwera and Hariti.

On the left and right, near the main door, there is the connecting door to the room side. The composition of the second room down the other, either in buildings or in buildings north of the south, similar to the arrangement in the living room. On the east side there are 3 statues of Buddha sitting on top padadmasana lined up facing west. Buddha statue in the middle also has disappeared.

South Plaosan

The temple is located in southern South Plaosan Plaosan Lor, separated by a highway. When the complex Palosan Lor second main temple was still standing with magnificent temple complex in South Plaosan main temple was in ruins. Which still stands just a few of chapel.
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READ MORE - Temple Plaosan Bugisan located in the Village

Minggu, 13 Maret 2011

Triwindu Markets are quiet



If you encounter next June Triwindu Markets are quiet, do not rush to accuse the government was evicting merchants. Or consider the traders are conducting a boycott. Perhaps, they've shifted to the north, occupying temporary stalls in the complex field Mangkunegaran.

Yes, that's where the traders would be 'settled' for a while because of the antiques market was being demolished. The plan, will be a new building consists of two floors with a number of means of support convenience shopping. In the middle of the market, there will be an open space, so that visitors do not quickly go away.

Considering what has been seen, needs to be done in a relaxed atmosphere. Choosing the goods must be thorough, can not be home dirty. Same quality can be offered at different prices in each stall. Well, a sense of fatigue that will arise after along the stalls that the government responded with a plan to provide a resting place. Interesting, is not it?

Just so you know, let alone the quality of goods including antiques category, can not be seen recklessly. Good visually can outwit you. Too many experts reproduction (production) in the vicinity of Surakarta. In fact, visual images can be deceived by a variety of ways. Some use chemicals. There is also a way to use 'classic' for goods look old school, by soaking in the river and then leave them in a long time, or purposely buried into the ground.

Oh, yes. I almost forgot. In Triwindu, you can shop farrago. Various types of colored glass, suitable hired to decorate the room. Perhaps the only, suitable for a small bar at home. Glass painting, of a truly ancient and repro-looking old school is also available there. However, the difference in price can be several hundred-fold.

Various types and sizes of doorknobs, hinges, tacks hundreds of years old can also be obtained there. Rupiah currency during the early republic could be obtained, even to the smallest denomination rupiah. Usually, this rupiah denomination hunted the bride and groom who want a combination of nominal dowry.

Because the antiques market, about the price of course varies greatly. Although desperate, you should not look at facial expressions. Melik nggendhong anesthetized, the desire to bring forgotten (mainland)! If you get caught, then the ball in the hands of traders. You may regret it feel overpriced. Careful, careful before you buy! As soon as the old adage, that even once popularized by TVRI still prevail with a session during his ads in the 1980s.

Even so, do not rush to assume antique dealer as a fraud. Think of it, the traders are running their prophetic task: measuring levels of persistence of business, as well as test your level of caution.

Although there are one or two traders who fear the new building is not as comfortable as before, the majority still welcomed the idea of ​​the arrangement of the traditional market which is now called the Red Windu Market. Either would be popular or not, the new name it seems difficult to spoken and remembered.

Perhaps, because Triwindu 76 years old, so his name was menghunjam in the liver to two or three generations. Exactly a century milestone in the struggle of organized plugged dr. Wahidin and his friends crowded commemorated, Triwindu also be addressed.

Just to remind it, Triwindu name immortalized in memory of a meeting of leaders of national movements in Surakarta in 1938, or three tiger Boedi Oetomo movement. Not only Triwindu Market, memories movement was also immortalized in the presence of wax or Monument Monument of National Awakening in Penumping.
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READ MORE - Triwindu Markets are quiet

Submarine Monument of surabaya


Submarine Moseum be Kalimas river side, the city of Surabaya. This museum is the largest ship museum in Southeast Asia.

Submarine Monument
Surabaya Submarine Monument

Jl. Youth 39
Surabaya 60100
East Java
Indonesia

Submarine Monument of surabaya, or abbreviated Monkasel, is a submarine museum located in Embong Kaliasin, tiles, Surabaya. Located in the center of town, this monument is actually a submarine Pasopati KRI 410, one of the Indonesian Navy fleet made ​​the Soviet Union in 1952. The submarine was never involved in the Battle of Aru Sea to free West Papua from the Dutch occupation.

Submarine is then brought ashore and used as a monument to commemorate the courage of heroes Indonesia. This monument is located at Jalan Pemuda, right next to Plaza Surabaya. Also in this place also has a film screening, which display the process of war that occurred in the Aru Sea. If you want to visit this resort you will also be accompanied by a local guide who found there
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READ MORE - Submarine Monument of surabaya

Sabtu, 12 Maret 2011

Mazda


New York (Reuters) - Mazda that they would introduce the concept crossover sports car at motor show latest Minagi Geneva, Switzerland in March.

Curvaceous car is not scheduled to be produced but make Mazda a whiz in the SUV category.

New York Times reported, such as Shinari Mazda sedan concept, which was first exhibited last August, Minagi is an example of the latest design themes Kodo.

Kodo, according to Mazda translated as "soul movement," replaces the theme of Mazda's Nagare design introduced in 2006.

Nagare is translated as "flowing," so at least linguistically, there are remnants of Nagare in Kodo.

Minagi Skyactiv technology showcase of the name of the new engine, new transmission, and Mazda's safety package.

Mazda will show some devices Skyactiv in Geneva, including gasoline-powered engine injection, an environmentally friendly turbocharged diesel engines and two transmissions.

Mazda released some details of the components Skyactiv in October. Gasoline-powered engine has a direct injection 14:1 compression ratio, larger than the current gasoline-powered engine.

According to Mazda, the compression ratio to increase fuel efficiency and torque by 15 percent compared to conventional designs.

There's more than one way to increase efficiency, and Mazda seems intent on proving that it can compete in the ever-rising stakes of fuel mileage without actually going to the trouble of investing heavily in hybrid technology.

Instead, Mazda is taking a multi-pronged approach that includes new gasoline and diesel engines, efficient automatic and manual transmissions and lightweight structures that incorporate both the body shell and supporting chassis architecture. That whole philosophy is bundled up nicely in a package Mazda is calling SkyActiv.

In addition to SkyActiv, Mazda is also using the 2011 Geneva Motor Show to introduce the world to the second showcar (the first being the Shinari) styled using its Kodo design language: the Minagi Concept. A production version of the Minagi is slated for a debut at the Frankfurt Motor Show later this year.

We wouldn't expect many wholesale changes to the exterior design of the Minagi, as it looks pretty production-ready in its current state... minus a few of the extra-concepty bits like the minimilist exterior mirrors and giant rolling stock. Naturally, the marque's SkyActiv technology will be in full effect in the production Minagi.

We suggest you check out the live photos in our high-res image gallery below, but you can also read a whole bunch of information from Mazda on Kodo design language and how it's featured in the Minagi concept after the break.
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READ MORE - Mazda

Gebyok


Gebyok creativity carving is one of the sacred carving. Basically gebyok carving is a component part of a traditional house holy. But over time, today gebyok carved traditional house instead of a part of the sanctuary was also installed in the building modern.Fungsi gebyok modern buildings are carved to decorate the room As a guest, As a bulkhead or divider between rooms or They can also be installed at the entrance of the building . About the size of today gebyok carving varies from just a few meters to dozens mater depending on the size of buildings and reservations. The basic ingredients of carving gebyok diverse as teak, jackfruit wood, mango wood. Teak wood is the material most good.Motif gebyok carving carving is now a creativity by the producers themselves. There are is maintain the original motif that is holy pictures of plants or foliage. And there are others such as integrating formative china with animals dragon motif, kilin, birds, deer, dll. why gebyok determined from the quality of materials and manpower. If the material the better, the better it quality. Workforce trained and experienced engineers will provide a good carving results thus improving the quality of gebyok it. In addition, to maintain quality gebyok placement must be considered. Placement should not be frequently exposed to water or rain and excessive heat (direct contact with the tricks of the sun is very hot). About the price there is no definitive benchmark. Because the price is influenced by the raw materials and good carving and gebyok size. Gebyok made of teak wood will be more expensive if compared to those made of wood nagka. And most important is the size the longer the size the more expensive price
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READ MORE - Gebyok

Jumat, 11 Maret 2011

egrang of traditional game


egrang of traditional game
Ministry of Culture and Tourism (Kemenbudpar) will hold a "Festival of Traditional Games Children Nusantara" in Jember, East Java, Friday-Saturday.

Director General (DG) Cultural Values, Arts, and Film (NBSF) Kemenbudpar, Tjejep Suparman, Thursday, in an interactive dialogue event in one private radio station in Jember, said, Jember Regency is a district that has a good potential for culture.

"We chose the Jember district because many cultural experts with a number of universities and citizens of Jember has a decent culture to tourists," said Tjejep.

Traditional Children Games Festival Nusantara, he said, is a series of National Child Day and the series of activities held in the Week of Culture, Arts and Film (PBSF) in 2010.

"Traditional Games of children who are the cultural heritage contains the values ​​reflected nobleness of spirit and philosophy of the game must continue to be developed," he explained.

For that, he said, Kemenbudpar trying to develop the values ​​reflected nobleness of spirit and philosophy of traditional children's game itself, so that traditional games children do not become extinct.

Meanwhile, cultural experts, Prof. Ayu Sutarto, acknowledged that traditional games children currently threatened with extinction because so many kids who already do not know about the traditional game.

"A lot of kids who would rather play 'play station' and 'games' on the internet than traditional games that made old child," he said.

According to Ayu, traditional games children have cultural value of mutual cooperation, so that the spirit of cooperation and mutual assistance can be inculcated from an early age to the children.

A number of traditional permaian kids like Ganding, gobak sodor, hide and seek, bekelan, dakon ankle, and stilts reflecting the spirit of honesty, sportsmanship, persistence, competitiveness, cooperation, mutual assistance, and recognition of a sense of victory to his opponent.

"I hope this festival can inspire the spirit of children to maintain and develop the traditional game, so do not fade," he said.

He explains, traditional games that children can develop and strengthen national identity because of noble values ​​embedded in the game.

Head Office of Tourism and Culture Jember, Arif Tjahyono, said they were proud of the confidence the Ministry of Culture and Tourism, which organizes the event "Festival of Traditional Games Kids Nusantara" in Jember.


Stilts is a traditional Indonesian game is not yet known exactly where it came from, but can be found in various regions with different names such as: certain areas of West Sumatra by the name of the word Tengkak-tengkak Tengkak (lame), which in the language Bengkulu Ingkau means shoes bamboo and in Central Java with stilt name derived from the name of long-legged bird. Stilts itself comes from Lampung language which means sandals made ​​of bamboo beheaded a long round. In the language of Banjar in South Kalimantan is called batungkau.
Stilts made ​​of bamboo stems with a length of approximately 2.5 meters. Approximately 50cm from the bottom, made ​​of a flat foot beachhead approximately 20cm wide. How to play it is to compete to use stilts to walk from one side of the field to the other. People of the fastest and he was the winner did not fall.

Traditional Games stilts able to provide creative stimulation for the wearer and also train the balance right and left brain. In fact, toys are made of bamboo is now a toy mandatory for State Government Elementary School students lined, Wonokromo, Pleret, Bantul, Yogyakarta.

Various types of traditional games that many children scattered in several areas of North Sumatra and other areas in Indonesia are threatened with extinction because there is no longer a player.

Anthropologists State University of Medan (Unimed), Dr. Phil Icwan Azhari, in Medan, on Monday, said today's traditional kids games such as peg catfish, arrogant, galasing, engklek, sambar and enggrang eagle, has been replaced by more modern games such as video games and bombom car.

In fact, he said, various traditional games have quite a lot of advantages that can not be obtained on modren game, like the growing sense of solidarity or camaraderie, a sense of empathy for others, intimacy with nature and always uphold the values ​​of sportsmanship.

In addition, other positive side which can be obtained from a variety of traditional games are enabling the emergence of the initiative, creativity of children to create and innovate to produce their own.

"With the emergence of creativity that, sianak then will try to find a new design and adapt the game that they need," said Ichwan who is also Chairman of the Study of Social Anthropology Graduate Program Unimed.

According to him, a variety of traditional children's games also will keep them away from the consumerist attitude, show excitement, ekspressif gestures, as well as train the level of intelligence and logic.

"For example, on Galasing game to be played by at least four people to one group. The four men will work together to defeat his opponents not to get past the area dijaganya, "he said.

Unlike the case with all kids games modren be mass produced by the factory, so the creativity of children to create their own game to be lost and the average of the traditional game is played by one oranag only.

As a result sianak be preoccupied with themselves alone without the care with peers and their environment.

According to the Chairman of the Center for Historical Studies and Social Sciences (Pussis) Unimed, the game will tend to make children modren individualistic and based on the material.

Children at any time ask for money to buy the game equipment. Because of the potential modren games make children as a generation that just demanding, demanding, less effort, not innovative and creative, to produce and reproduce what they need.
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READ MORE - egrang of traditional game
.::BY JUMBHO-MY AT HOME IN THE JEPARA CITY OF BEAUTIFUL::.