Minggu, 13 Maret 2011

Submarine Monument of surabaya


Submarine Moseum be Kalimas river side, the city of Surabaya. This museum is the largest ship museum in Southeast Asia.

Submarine Monument
Surabaya Submarine Monument

Jl. Youth 39
Surabaya 60100
East Java
Indonesia

Submarine Monument of surabaya, or abbreviated Monkasel, is a submarine museum located in Embong Kaliasin, tiles, Surabaya. Located in the center of town, this monument is actually a submarine Pasopati KRI 410, one of the Indonesian Navy fleet made ​​the Soviet Union in 1952. The submarine was never involved in the Battle of Aru Sea to free West Papua from the Dutch occupation.

Submarine is then brought ashore and used as a monument to commemorate the courage of heroes Indonesia. This monument is located at Jalan Pemuda, right next to Plaza Surabaya. Also in this place also has a film screening, which display the process of war that occurred in the Aru Sea. If you want to visit this resort you will also be accompanied by a local guide who found there
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Sabtu, 12 Maret 2011

Mazda


New York (Reuters) - Mazda that they would introduce the concept crossover sports car at motor show latest Minagi Geneva, Switzerland in March.

Curvaceous car is not scheduled to be produced but make Mazda a whiz in the SUV category.

New York Times reported, such as Shinari Mazda sedan concept, which was first exhibited last August, Minagi is an example of the latest design themes Kodo.

Kodo, according to Mazda translated as "soul movement," replaces the theme of Mazda's Nagare design introduced in 2006.

Nagare is translated as "flowing," so at least linguistically, there are remnants of Nagare in Kodo.

Minagi Skyactiv technology showcase of the name of the new engine, new transmission, and Mazda's safety package.

Mazda will show some devices Skyactiv in Geneva, including gasoline-powered engine injection, an environmentally friendly turbocharged diesel engines and two transmissions.

Mazda released some details of the components Skyactiv in October. Gasoline-powered engine has a direct injection 14:1 compression ratio, larger than the current gasoline-powered engine.

According to Mazda, the compression ratio to increase fuel efficiency and torque by 15 percent compared to conventional designs.

There's more than one way to increase efficiency, and Mazda seems intent on proving that it can compete in the ever-rising stakes of fuel mileage without actually going to the trouble of investing heavily in hybrid technology.

Instead, Mazda is taking a multi-pronged approach that includes new gasoline and diesel engines, efficient automatic and manual transmissions and lightweight structures that incorporate both the body shell and supporting chassis architecture. That whole philosophy is bundled up nicely in a package Mazda is calling SkyActiv.

In addition to SkyActiv, Mazda is also using the 2011 Geneva Motor Show to introduce the world to the second showcar (the first being the Shinari) styled using its Kodo design language: the Minagi Concept. A production version of the Minagi is slated for a debut at the Frankfurt Motor Show later this year.

We wouldn't expect many wholesale changes to the exterior design of the Minagi, as it looks pretty production-ready in its current state... minus a few of the extra-concepty bits like the minimilist exterior mirrors and giant rolling stock. Naturally, the marque's SkyActiv technology will be in full effect in the production Minagi.

We suggest you check out the live photos in our high-res image gallery below, but you can also read a whole bunch of information from Mazda on Kodo design language and how it's featured in the Minagi concept after the break.
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Gebyok


Gebyok creativity carving is one of the sacred carving. Basically gebyok carving is a component part of a traditional house holy. But over time, today gebyok carved traditional house instead of a part of the sanctuary was also installed in the building modern.Fungsi gebyok modern buildings are carved to decorate the room As a guest, As a bulkhead or divider between rooms or They can also be installed at the entrance of the building . About the size of today gebyok carving varies from just a few meters to dozens mater depending on the size of buildings and reservations. The basic ingredients of carving gebyok diverse as teak, jackfruit wood, mango wood. Teak wood is the material most good.Motif gebyok carving carving is now a creativity by the producers themselves. There are is maintain the original motif that is holy pictures of plants or foliage. And there are others such as integrating formative china with animals dragon motif, kilin, birds, deer, dll. why gebyok determined from the quality of materials and manpower. If the material the better, the better it quality. Workforce trained and experienced engineers will provide a good carving results thus improving the quality of gebyok it. In addition, to maintain quality gebyok placement must be considered. Placement should not be frequently exposed to water or rain and excessive heat (direct contact with the tricks of the sun is very hot). About the price there is no definitive benchmark. Because the price is influenced by the raw materials and good carving and gebyok size. Gebyok made of teak wood will be more expensive if compared to those made of wood nagka. And most important is the size the longer the size the more expensive price
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Jumat, 11 Maret 2011

egrang of traditional game


egrang of traditional game
Ministry of Culture and Tourism (Kemenbudpar) will hold a "Festival of Traditional Games Children Nusantara" in Jember, East Java, Friday-Saturday.

Director General (DG) Cultural Values, Arts, and Film (NBSF) Kemenbudpar, Tjejep Suparman, Thursday, in an interactive dialogue event in one private radio station in Jember, said, Jember Regency is a district that has a good potential for culture.

"We chose the Jember district because many cultural experts with a number of universities and citizens of Jember has a decent culture to tourists," said Tjejep.

Traditional Children Games Festival Nusantara, he said, is a series of National Child Day and the series of activities held in the Week of Culture, Arts and Film (PBSF) in 2010.

"Traditional Games of children who are the cultural heritage contains the values ​​reflected nobleness of spirit and philosophy of the game must continue to be developed," he explained.

For that, he said, Kemenbudpar trying to develop the values ​​reflected nobleness of spirit and philosophy of traditional children's game itself, so that traditional games children do not become extinct.

Meanwhile, cultural experts, Prof. Ayu Sutarto, acknowledged that traditional games children currently threatened with extinction because so many kids who already do not know about the traditional game.

"A lot of kids who would rather play 'play station' and 'games' on the internet than traditional games that made old child," he said.

According to Ayu, traditional games children have cultural value of mutual cooperation, so that the spirit of cooperation and mutual assistance can be inculcated from an early age to the children.

A number of traditional permaian kids like Ganding, gobak sodor, hide and seek, bekelan, dakon ankle, and stilts reflecting the spirit of honesty, sportsmanship, persistence, competitiveness, cooperation, mutual assistance, and recognition of a sense of victory to his opponent.

"I hope this festival can inspire the spirit of children to maintain and develop the traditional game, so do not fade," he said.

He explains, traditional games that children can develop and strengthen national identity because of noble values ​​embedded in the game.

Head Office of Tourism and Culture Jember, Arif Tjahyono, said they were proud of the confidence the Ministry of Culture and Tourism, which organizes the event "Festival of Traditional Games Kids Nusantara" in Jember.


Stilts is a traditional Indonesian game is not yet known exactly where it came from, but can be found in various regions with different names such as: certain areas of West Sumatra by the name of the word Tengkak-tengkak Tengkak (lame), which in the language Bengkulu Ingkau means shoes bamboo and in Central Java with stilt name derived from the name of long-legged bird. Stilts itself comes from Lampung language which means sandals made ​​of bamboo beheaded a long round. In the language of Banjar in South Kalimantan is called batungkau.
Stilts made ​​of bamboo stems with a length of approximately 2.5 meters. Approximately 50cm from the bottom, made ​​of a flat foot beachhead approximately 20cm wide. How to play it is to compete to use stilts to walk from one side of the field to the other. People of the fastest and he was the winner did not fall.

Traditional Games stilts able to provide creative stimulation for the wearer and also train the balance right and left brain. In fact, toys are made of bamboo is now a toy mandatory for State Government Elementary School students lined, Wonokromo, Pleret, Bantul, Yogyakarta.

Various types of traditional games that many children scattered in several areas of North Sumatra and other areas in Indonesia are threatened with extinction because there is no longer a player.

Anthropologists State University of Medan (Unimed), Dr. Phil Icwan Azhari, in Medan, on Monday, said today's traditional kids games such as peg catfish, arrogant, galasing, engklek, sambar and enggrang eagle, has been replaced by more modern games such as video games and bombom car.

In fact, he said, various traditional games have quite a lot of advantages that can not be obtained on modren game, like the growing sense of solidarity or camaraderie, a sense of empathy for others, intimacy with nature and always uphold the values ​​of sportsmanship.

In addition, other positive side which can be obtained from a variety of traditional games are enabling the emergence of the initiative, creativity of children to create and innovate to produce their own.

"With the emergence of creativity that, sianak then will try to find a new design and adapt the game that they need," said Ichwan who is also Chairman of the Study of Social Anthropology Graduate Program Unimed.

According to him, a variety of traditional children's games also will keep them away from the consumerist attitude, show excitement, ekspressif gestures, as well as train the level of intelligence and logic.

"For example, on Galasing game to be played by at least four people to one group. The four men will work together to defeat his opponents not to get past the area dijaganya, "he said.

Unlike the case with all kids games modren be mass produced by the factory, so the creativity of children to create their own game to be lost and the average of the traditional game is played by one oranag only.

As a result sianak be preoccupied with themselves alone without the care with peers and their environment.

According to the Chairman of the Center for Historical Studies and Social Sciences (Pussis) Unimed, the game will tend to make children modren individualistic and based on the material.

Children at any time ask for money to buy the game equipment. Because of the potential modren games make children as a generation that just demanding, demanding, less effort, not innovative and creative, to produce and reproduce what they need.
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Kamis, 10 Maret 2011

Governor of Central Java


Jepara Semarang Pavilion at Maerokoco Castle was built based of the letter of the former Governor of Central Java Province, Number: 510.1/32442 dated on August 29th, 1991 as the information and promotion service of Jepara Regency on the full source of non oil and gas commodities in the form of craft industries of tourism.The Jepara Pavilion at Maerokoco Castle Hyderabad is about 890.74 m2 wide consisting of:
1. Traditional Building 63 m2
2. Building Birowo Pradonggo 29.16 m2
3. Palace Sculpture Building 9 m2
4. Multifunction Building 147 m2
5. Gateway Building Mantingan 12.75 m2
6. Songgolangit Waterfall Miniature Building 16 m2
7. Toilets / 227.70 m2 Building Room Service
8. 373.33 m2 Garden
9. Paza Building 217 m2

The construction of Jepara Pavilion in Hyderabad Maerokoco Castle was started in June of 1992 and finished in July 1993, costed as much Rp 407,887,600, - (Four Hundred seven million eighty seven thousand eight Hundred Six Hundred Rupiahs) through Presidential Directive 1993/1994.

Buildings - Buildings in Jepara platform consists of:
a. Joglo jepara type this building is a traditional building in the district of Jepara and is still often found. The special characteristic of this architecture are:
- Building materials made of wood with carved wood wall
- Have 4 pieces pole in the middle of the building
- The roof of tiles and a special cell has a motive picture puppet. The joglo building concept of this philosophy are:
- Overlooking the sea with a view to broad-minded
- Back to the mountain with a view to not arrogant and haughty
- Roof intangible mountains with a religious purpose, the God above and the power over everything.
- Three pieces in the front door is a manifestation of the relationship between:
- Man with God
- Man to man
- Human nature
- Three Wuwungan curved roof is not broken but who have an intention as the embodiment of a flexible way of life.

b. Pradonggo Birowo
This building is a duplicate of the original building which is on the left side of Jepara Regency Hall. The function of this building is as a place gamelan consists of only drums, kecrek, kempul, and genjur.
Rung every Monday so that gamelan is by the people of Jepara called GONG Senen.

c. Sculpture Palace
This building is a monumental building for potential handicraft industry in Jepara, namely in the form of sculptures depicting people who are sculpting the horse is a symbol of the dynamics of meaning as the city of Jepara carving.

Multipurpose
d. Building
The building is held for the benefit of showing art-art Jepara in certain events can be saved.

e. Arch Mantingan
The gate is a duplicate of an ancient gate in the village of Mantingan which is the entrance to the Tomb of Queen Kalinyamat and Old Mosque Mantingan. Look of the ancient architecture Mantinga estimated gapuro was built by the end of XVII century in the sense of Arabic ghoruuren meaningful for every person who come to the mosque and tomb of the Ancient Queen Mantingan Kalinyamat to always remember to ask forgiveness to God Almighty.

f. Thumbnail SonggolangitBangunan Waterfall is a prototype of a beautiful natural attractions with water terjunya Bucu village located in Jepara District Flower District.

g. Toilets / Service this room is in addition to toilet also serves as a warehouse.

2. Explanation of the content and use of buildings.
a. Planned building will be filled with Jepara joglo:
- Duplicate table
- RA Kartini chair
- ancient marble table
- a traditional loom from Troso
- Painting of RA Kartini
- Painting imagination Queen Kalinyamat
- Examples of some of the handicraft industry of Jepara, such as relief, ikat, monel, and others.

b. At certain times this Jepara joglo building together with a versatile building can be used also as an exhibition event.

3. Attractions KesenianPada certain events, multipurpose building can be used also for the sake of art attractions typical of Jepara, among others: emprak, kentrung, ketoprak, etc..
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READ MORE - Governor of Central Java

Selasa, 08 Maret 2011

Jepara


Jepara is located in the north eastern coast of Central Java. Is in the reign of Queen Kalinyamat (1549-1579), Jepara forward rapidly and became the main commercial airport in Java, besides being a strong Naval Station. In 1551 and 1574, because of resentment at the occupation, Queen Kalinyamat sends fleet to Malacca for attacking Portuguese.

Kalinyamat Queen also made a large contribution to believe in the civilize Jepara carving, which isblend of sculpture carving Patih Majapahit with Sungging Badarduwung derived from Campa ( Cambodia ). Kalinyamat Queen died in 1579 and was buried in the village Mantingan, Jepara, on the tomb of her husband who was killed by Prince Attends Aryo Penangsang during seizure throne after the death of the Sultan of Demak Sultanate Trenggono.

Raden Ajeng Kartini born in Jepara, Central Java, 21 April 1879 - died in Rembang, Central Java, 17 September 1904 at age 25 years) or actually more accurately called Raden Ayu Kartini, was a prominent Javanese and National Heroes Indonesia. Kartini is known as a pioneer in the area of indigenous women.

Raden Ajeng Kartini was born in 1879 in the town of Apex. He is son of a nobleman who was very obedient to the customs. After graduating from elementary school he was not allowed to continue their education to higher levels by the parents. He secluded while waiting to be wed. Small Kartini was very sad with this, he wanted to resist but did not dare for fear of being children of disobedience. To get rid of her sadness, she gathered her textbooks and other science books and reading in the garden of the house accompanied by Simbok.

Finally read a fetish, there is no day without reading. All books, including newspaper reading. If there is difficulty in understanding books and newspapers he read, he always asked the father. Through this book, Kartini's interest in women's thinking of Europe (the Netherlands, who was still colonized Indonesia). The desire to promote Indonesian women. Women not only the kitchen but also must have the knowledge. He began by collecting her girlfriends to teach science writing and other writing. Amid the busy life he did not stop reading and also writing letters to his friends in Holland. Before long, he wrote a letter to Mr.JH Abendanon. He pleaded awarded a scholarship to study in The Netherlands.

Obtainment of scholarships could not be used because he was married By Kartini's parents with Raden Duke Joyodiningrat. After marriage she joined her husband to the Apex area. Her husband understood kartini's supporting women to establish a school. Thanks to the persistence of Kartini succeeded in establishing Women's School in Semarang, Surabaya, Yogyakarta, Malang, Madiun, Cirebon and other areas. The school name is kartini's schools." Fame does not make Kartini became arrogant, he remained polite, respectful family and anyone else, does not distinguish between poor and rich.

On 17 september 1904, Kartini's died in the age of 25, after she gave birth to their first son. After Kartini died, Mr.JH Abendanon collect and the letters that Kartini had sent to its friends in Europe. The book was entitled "DOOR TOT DUISTERNIS Licht" meaning "Gone Dark Light publication."

Currently in Indonesia, hopefully will be born Again Kartini's who would fight for the interests of the people.

RA Kartini museum is located on the town center, northward the town’s field. The museum is a general museum and functioned as historical tourist object managed by the Tourism office of Jepara Regency. The museum is daily opened from 08.00 am to 02.00 pm. It was built on March 30th 1975 at Soewarno Djojomardowo, SH era and officially opened at Soedikto, SH era on April 21st 1977. The purpose of the museum establishment is to commemorate RA Kartini’s struggle. By documenting Kartini’s struggle and showing to the public, hope that public will always remember Kartini’s efforts in sustaining gender equity. In this museum you can also notice several historical stuffs founded in Jepara regency. Total area is 5.210 square meters but only 890 sguare meters used for the museum building. The museum consist of three main building figured like K,T,N, form (abreviaton of KARTINI). The buildings are devided into 4 collection rooms as follows.

This room contains of RA Kartini’s heritage, including her portraits when she was alive.
- A set of real wooden living chairs and table carved with ancient motive.
- With picture of her face when she was getting to be married with the residence of Rembang, on November 12th, 1903.
- Portrait of her handwritten letter which she sent to her penpall in Netherland.
- Her only son’s portrait, Raden Mas Singgih.
- Her father’s portrait, RMAA Sosroningrat.
- Her mother’s Portrait, MA Ngasirah.
- Learning desk.
- Souvenir made by her students.
- Special device used to paint clothe.
- Kartini’s genealogy.
- Portraits of backyard of Jepara City Hall.
- Botekan (medicine box used to keep herbs).
- Original sew machine belongs to her students
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READ MORE - Jepara

History of Pura Batur


History of Pura Batur

Before the catastrophic eruption of Mount Batur in 1917, Pura Batur originally located at the foot of the mountain near the southwestern edge of Lake Batur, which destroyed 65,000 houses, 2,500 temples and more than thousands of lives. But the magic to stop at the foot of Temple. People see all this as a good sign and continued to stay there forever. In 1926 a new eruption covered the entire temple except "pelinggih" the highest, temapt worship to God in the manifestation of Goddess Danu, the Goddess of the lake water. Then the villagers insisted on placing it in a higher place and start tusag them to rebuild the temple. They brought pelinggih intact and rebuilt Batur Temple.

Some ancient manuscripts, scriptures tell the origin of Bali Pura Batur, which is part of the "sad heaven", six groups of temples in Bali that are recorded in palm Widhi Literature, palmyra King Purana and Babad Pasek Kayu Selem. Pura Batur also expressed as a temple "Kaya Jagat" which disungsung by the general public.

History of Pura Batur is devoted to Goddess of fertility, Dewi Danu. He is the Goddess of the lake water. Mineral-rich water flowing from Lake Batur, flowing from one patch of rice paddy fields to another, gradually down to earth. In Business ejection Bali, one of the sacred literature which was placed in the temple, there is an ancient legend that describes the composition of the throne of Goddess Danu.

The legend is told as follows:

One night early in the fifth month Margasari Pasupati god (Shiva) to move the summit of Mount Mahameru in India and divide it into two parts. He took one part with his left hand and the other with his right hand. The two hemispheres are brought into the throne. Hemisphere who brought with her right hand into Mount Agung the throne to his son, the god Putranjaya (Mahadeva Shiva) and brought with her left hand into Mount Batur throne of the Goddess Danu, the Goddess of Water Lake. This legend makes the biggest mountain in Bali and two symbolic elements "of men and women" (Purasa and Pradeep) or two manifestations of the source of origin; God (Ida Sang Hyang Wishi Wasa).
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.::BY JUMBHO-MY AT HOME IN THE JEPARA CITY OF BEAUTIFUL::.